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Bath Road Business Centre
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Devizes, Wiltshire
SN10 1XA
United Kingdom
Auction of Interiors, Coins, Jewellery and Collectors Items.
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Auction dates
Mar 18, 2023 09:30 AM GMT
Viewing dates
Mar 14, 2023 10:00 AM - 03:30 PM GMT
Mar 15, 2023 10:00 AM - 03:30 PM GMT
Mar 16, 2023 10:00 AM - 03:30 PM GMT
Mar 17, 2023 12:00 PM - 07:00 PM GMT
Mar 18, 2023 08:30 AM - 09:30 AM GMT
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We found 57 items matching your search
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ALAN HUNT (b.1947): The Sappi Portfolio-African Wilderness, set of eleven colour prints of wildlife each accompanied by an essay written by Hunt from his time in Botswana and South Africa collecting material for the paintings, edition no. 201/995, each signed in pencil to the margin in portfolio.
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94
After David Shepherd: The Sappi Selection, rare folio series of limited edition signed prints, all contained within a sleeved case. Nos 498/500.
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119
Peter Harris (1923-2009): Watercolour on card, cartoon a fairy, the devil and a Continental lady, signed P. Harris and dated 84, framed and glazed. 3¾ins. x 5¾ins.
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Wood frames suitable for oil paintings. (11)
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151B
The Mavis and John Wareham Collection: Art & Prints: Collection of thirteen oils, watercolours and prints, various subjects and sizes. (13)
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151C
Paintings & Prints: Samuel Henry Baker (British, 1824-1909). Royal Birmingham Society of Artists, Royal Society of Painter Etchers & Engravers. Watercolour, autumn landscape, initialled lower left, framed and glazed (later framing). Minor discolouration on left sky area. 5¾ins. x 9ins. Peter Lowry, (British, 1915-2009) large watercolour of a house in a garden setting, signed front lower left, in a mount. 12¼ins. x 16ins. Late 19th century watercolour of a rural landscape, label verso "Barn at Merrow (nr Guildford Surrey) by Agnes Young", dated 1888, framed and glazed. 9½ins. x 6½ins. Leslie Charles Bugden (1904-1991). Oils on canvas, signed, one a coastal scene, the other a river landscape, gilded frames. Some craquelure and small paint and frame moulding losses. Each 6¾ins. x 9½ins. Two vintage bird prints framed and glazed. 19th century equestrian print, framed and glazed. 19th century print The Ne Plus Ultra of Bores, aquatint, published by Pyall and Hunt, 18 Tavistock St London, c1825, toned, framed and glazed. 11½ins. x 9½ins. Two Eric Ravilious prints, Tea at Furlongs, Interior at Furlongs, framed and glazed A/F. Map of Staffordshire framed and glazed. 20th century oil on board portrait of a man in spectacles, unframed. 12ins. x 10ins. Two framed prints by Sandra McCabe (Dorset 1943-2020) one marked A/P and one numbered 7/25, summer garden scenes, framed and glazed. Wolfgang Heinrich (German, 1928-2020) limited edition print of windmill at Exter, north east of Herford in North Rhine Westphalia, known as Lindemann's Mill, signed and dated to margin ('86). Numbered 95/150, framed and glazed. 4¾ins. x 6¼ins. Dennis Flanders (1915-1994). ARSA, RWS, RBA. St Martins School of Art, Central School of Arts and Crafts, signed print of the Sandhurst Royal Memorial Chapel, signed to margin. (17)
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Paintings & Prints: 20th century four small watercolours in frames, lilies, daffodils (x 2), crocus and a silk work, framed and glazed. 1987 etching signed Hance/Hands, numbered 242 of 350, framed and glazed. Modern acrylic on board of Busy Lizzies and two acrylics on board of female figures in cafes. 9¾ins. x 11¾ins. Araceli Booth (British, 20th-21st cent.). Watercolour, "The Pink City", signed, framed and glazed. 4ins. x 6ins. Contemporary Harbour print in white wood frame, initialled HP, titled Harbour II, framed and glazed. 11¼ins. x 11¼ins. Five 1949 mounted colour plates from "Both Sides of the Road, A Book About Farming" by Sidney Rogerson, illustrated by Charles Tunnicliffe OBE, RA (British, 1901-1979). Aspects of farming. Mounts are each 16ins. x 12ins. 1970 reprint folder of Henry Alken plates of British Sports (originally 1821). There are four plates missing: 4, 5, 6, 7. The rest (12) are there and in good clean order. Each plate approx. 7¾ins. x 11½ins. 19th century coloured plate from Mr Carlyon's Christmas (Randolph Caldecott 1846-1886). Hunting print in a mount. 9¼ins. x 11ins. 20th century floral and bird oil on board signed CHG Lapelle, 16ins. x 12ins, together with a Paris Place du Theatre print. 20th century watercolour by Sandra McCabe (1943-2020) "Tuscany Landscape". Signed lower right, framed and glazed. 10½ins. x 9ins. Araceli Booth (British, 20th-21st cent.) Watercolour of lilies, signed lower right, framed and glazed. 14ins. x 10½ins. (21)
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151E
Paintings & Prints: Attributed to Cornelius Pearson (British 1805-1891). 19th century landscape watercolour, a figure on a mule. Framed later, handwritten verso with the attribution and artist's exhibition records. Light even toning. Framed and glazed. 8ins. x 12ins. 20th century mixed media portrait of a woman, framed and glazed. 7¾ins. x 5¾ins. 20th century watercolour signed J Pinfold, East Cornwall Society of Artists label verso. "Daffodils in Spanish Jug", framed and glazed. 13¾ins. x 11ins. Louise A. Southan (British, contemporary). 20th century watercolour and gouache, rural mountain landscape of heathers, stream and waterfall, unsigned, framed and glazed. 14ins. x 7¾ins. George Marshall (British 20th cent.) Watercolour, "Cottages at Warminster", signed lower right and dated 1986, inscribed lower left, framed and glazed. 9ins. x 11¼ins. Painting on silk, rowing boats on water, label for Suzie Dick, Mons Belgium, framed and glazed. 8ins. x 6ins. General Sir John Stibbon KCB OBE (1935-2014). Late 20th century watercolour of a continental street, washing hanging to dry, signed lower left, framed and glazed. 8¾ins. x 7½ins. Portrait of a boy in charcoal and graphite, signed lower right Elizabeth V…..? Dated for 1964. Framed and glazed with a Bath framers label verso dated 1974. 18ins. x 13½ins. 20th century watercolour by Dorset artist Sandra McCabe (1943-2020), signed, "Sweetcorn still life" (some foxing). 8¼ins. x 18¼ins. (9)
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Group of large original 6 art works in ink and 2 watercolour landscapes by one hand, all in mounts. Including a working waterways scene, a city bridge, a brewery dray, animals and landscapes. Together with a large charcoal ram after Milne, framed and glazed. 20¾ins. x 29ins. Modern box canvas still life floral image. 11¾ins. x 16¼ins. Renoir La Louge print to canvas A/F. (11)
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152
Val Close (b.1949): Oil on canvas, large abstract titled on reverse It Reminds me of Mable Moon, artist Val Close, date 1980, Cat no 13. Framed 75ins. x 67ins. Includes original sale paper, 2005. Purchased at Arundel Castle charity auction in aid of H.R.H. Alexander charity fund, (royal diary confirms H.R.H attendance at the sale) to who it was donated from the unilever art collection. Abstract painter and teacher, born in Sunderland. She studied at Sunderland Polytechnic and Syracuse University in America. Her awards included the Backhouse Drawing Prize, Syracuse University Scholarship and a Northern Arts Major Bursary and a Travel Award. Close was artist-in-residence with Northumbria Police, 1984-5. She taught in Britain and America, including Newcastle and Sunderland Polytechnics. Group appearances included New Contemporaries, at ICA, 1980; Spacex Gallery, Exeter, 1983; and the Newcastle Group show The Northern Lights, at DLI Museum & Arts Centre and tour, 1990. Later solo exhibitions included Laing Art Gallery, Newcastle, 1988. Contemporary Art Society holds her work. Lived in Newcastle.
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152A
Large portfolio of loose paintings, life sketches, watercolours and prints, French and English. Inc. antique engraving prints 1845 Thomson's Castle of Indolence illustrations by William Rimer, issued by Art Union of London, an antique wool work of a man walking a dog, and a 1959 Christmas edition of The Sphere.
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20th cent. Limited edition Racing print, Claire Eva Burton "Three from Home" 37ins. x 33ins. signed and numbered No 586/800. Framed and glazed.
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159
•Ernest Shepard (1879-1976): 'Village Dame' pen and ink believed to be an illustration for Punch magazine, signed bottom left. Pencil notation to bottom margin, 'No I beaut too hearty on my legs Reuben and I be losing my figure.' 'That you be Mrs Gudge but none of us so nimble since they finished the noo by pas.' 14ins. x 11ins. NB This item may be subject to Artist Resale Rights.
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20th cent. Acrylic abstract framed and glazed 19ins. x 27ins. Silk screen of sun and trees monogrammed R.H. Silk screen of a tree framed and glazed. Copy of a Cezane painting framed and glazed 19ins. x 23ins. Surrealist pen and ink drawing in a box frame, glazed 8½ins. x 7½ins. Silk screen Forgotten Dreams signed John Houghton, framed 19ins. x 27ins. (6)
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Paintings & Prints: Watercolour, flowers in vase. Signed H M Slade, 1916. Framed and glazed. Tear on lower edge. 20ins. x 13ins. French School 19th century oil on canvas for restoration. Indistinctly signed lower left. Joubert/Jaubert, cattle in a landscape, unframed. 21¼ins. x 22¾ins. Painted Christmas themed wooden panel. 11½ins. x 23ins. Two prints by Mads Stage (Danish, 1922-2004), floral prints, framed and glazed. Jilly Clarke flowers and dragonfly, 1986, signed, framed and glazed. 20th century stylised landscape oil on board, unframed. 11¾ins. x 15¾ins. 20th century watercolour of a farm cottage landscape, signed John Stanier, framed and glazed. 9½ins. x 13¼ins. Small lobster and langoustine print, framed and glazed. Pastel still life of pomegranates, signed, framed and glazed. 6¾ins. x 9½ins. (10)
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Landscape Paintings & Prints: Wilfrid Ball 1970s watercolour of a Derbyshire Dales scene, framed and glazed. 13¼ins. x 19½ins. Mid 20th century watercolour of a river rowing scene, signed lower right J M Boyd, framed and glazed. 12½ins. x 16ins. Stanger Pritchard early-mid 20th century watercolour, rural landscape, framed and glazed. 12½ins. x 9ins. 20th century pen and ink of a street scene, framed and glazed. 11½ins. x 12ins. Cornish School 1987. Six aquatint etchings impressed on one wove sheet, platemark impressions. Titled as a Proof copy, Gweek Estuary. Framed and glazed, frame overall 13¼ins. x 26¼ins. French School mid 20th century oil painting on canvas. Village farm. Paris label to back dated 1961. Signed or inscribed to stretcher frame. 16¼ins. x 22ins. (6)
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Paintings & Prints: Early-mid 20th century watercolour portrait of art nouveau female figure, initialled MNG lower right, framed and glazed. 14½ins. x 9ins. 1912 watercolour, inscribed verso, house on the corner of Wilfred Rd and Percy Rd in Boscombe, Bournemouth (the house is now called Ashwell Lodge), framed and glazed. 11¾ins. x 9ins. Gilt framed Italian print of a naval officer and his young lady, framed and glazed. Norman Rockwell (USA, 1894-1978) mounted print "Four Ages of Love: Courting Couple", produced as part of a 1955 calendar design for Brown & Bigelow. Marked "AP", unsigned. 11¾ins. x 15¾ins. Late 19th/early 20th century mounted print of Morot's Super Flumina Babylonis. 10¾ins. x 8¾ins. William Russell Flint print of "Castanets". Unsigned. Spanish Flamenco scene, in a mount. 14¾ins. x 20½ins. Stuart James landscape print, signed to margin, numbered 16/10, framed and glazed. 20th century print on card "L'Infante Marguerite" Velazquez. 16¼ins. x 13ins. 13 large photogravure prints on paper from a German publication of master art works, published in 1900, A/F. Print of Stanhope Forbes "Street in Brittany", figures on cottage doorsteps, framed and glazed. 15¾ins. x 11¼ins. (10)
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20th cent. Maritime Paintings & Prints: Oil on canvas of a harbour lighthouse, signed indistinctly lower left. 26ins. x 18ins. Oil on board, steam powered fishing boat, signed. Cornish framers label verso. Framed. 11½ins. x 15¼ins. Watercolour of wooden hulled fishing boat, dated 1912, signed Jack Young, framed and glazed. 9½ins x 5¼ins. Oil on board. Iffley Mill (Thames) Oxford in Oxfordshire. Faintly inscribed verso. Initialled front lower left JB. Framed. 8½ins. x 11ins. Watercolour, figure with a shrimping net, unsigned. Framed and glazed. 9½ins. x 15¼ins. Print "Fisher Boys of Norfolk Coast" and Lifebuoy soap print, both framed and glazed. (7)
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George Rankin (1864-1937): Watercolour , mallards in flight signed lower left, framed and glazed. 14ins. x 19¾ins. Print of a German Shepherd dog, stamped Rembrandt Guild artist proof, signed, framed and glazed. 10ins. x 7½ins.. Watercolour of woodpeckers, unsigned. (3)
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Vincent Plant: c1900 Mall Gallery Pastel Society Docks at Sunrise/Sunset, pastel, signed V. Plant, framed and glazed. 13¾ins. x 17¾ins.
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•Duncan MacGregor DMac (British 1961- ): Signed dye sublimation on aluminium 'Morning Light' 73/195. 16ins. x 20ins. NB This item is subject to Artist Resale Rights. Duncan MacGregor DMac (British 1961- ): Signed limited edition print 172/595, four ships. 10½ins. x 12½ins. NB This item is subject to Artist Resale Rights.
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Paintings: 19th century watercolour of fishing boats, unsigned, modern framing. Framed and glazed. 5½ins. x 8¼ins. Early 20th century watercolour of children watching a fisherman, modern framing. Framed and glazed. 6½ins. x 4¾ins. W H Bartlett hand coloured engraving of Workington Cumbria, framed and glazed. 6ins. x 7¼ins. Delmah Crowder (British 1923-2003), lake scene pastel, initialled, framed and glazed. 7¾ins. x 6ins. Early-mid 20th century watercolour of Newstead Abbey in Nottinghamshire, framed and glazed. 7½ins. x 4¾ins. 20th century oil on board still life of a violin. 18ins. x 13¾ins. 20th century watercolour of hyacinths, framed and glazed. 6¼ins. x 4½ins. Modern oil on canvas of a group of ballerinas, framed and glazed. 11¾ins. x 15½ins. (8)
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Prints: Three framed and glazed abstract coloured prints dated and signed 64, 63, and 62, plus an unframed print dated 66, framed and glazed print label to reverse Woman and Flowers Michael Sandle. (5)
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James Proudfoot, ROI (Perth Scotland 1908- London 1971): Chelsea Art Society, exh' Royal Academy (inc 1954, same year as this painting is dated), Royal Scottish Academy, Royal Society of Portrait Painters, Mention Honorable Paris Salon 1957. Oil on canvas portrait of a girl dated 1954. 23½ins. x 19½ins, frame 30ins. x 26ins. Frame has minor moulding loss.
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J.W. Hamilton-Marr A.R.C.A. (1846-1913): Oil on canvas Loch side study signed lower left, inscribed on verso Dolbardarn Hamilton Marr. Minor flaking see photograph. 17ins. x 11ins.
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Sydney Greenwood (1913-2001). RWA, RI, FRSA: Goldsmith's College. Later studies in etching and lithography at Atelier Mourlot in Paris and Hayter's. 20th cent. Watercolour painting of farmland, with a cottage and a line of washing blowing in the breeze. 18¼ins. x 18ins, glazed frame 17¾ins. x 22½ins. Unsigned, biographical label verso. Greenwood was elected a member of the RWS in 1969, Fellow of the Royal Society of Art 1980, and a member of the Royal Institute of Painters in Watercolours.
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Frieda (Frederica Marie/Mina) Rickenbach MBE (1867- 1951): Exh' Dudley Gallery London 1899 and 1900, Royal Academy 1915. Watercolour. Signed front lower right. Label verso inscribed as Isle of Wight seen from Lymington Hampshire. Summer garden scene. Frieda was painting nearby in Dorset c1914-1915 so this may date similarly. 14½ins. x 9½ins, glazed frame 17¾ins. x 22½ins. Frame has some paint loss on right hand side.
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Maps & Pictures: A framed and glazed map of Herefordshire 19¼ins. x 15ins. A framed & glazed map of Worcestershire published by Henry Teesdale & Co 14ins. x 17ins. Continental Crystoleum of Georgian woman reclining on a couch, and a print of a continental landscape with a town in the background in a gilt frame (4)
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J. Crawford Wood 1914: Oil on canvas horse with trees behind signed lower left and dated 1914, unframed. 18ins. x 22ins. Plus an oil on canvas of a gentleman, unsigned, unframed with faults. 24ins. x 18½ins. (2)
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Thomas Major (1720-1799): Thorumque Et Prima in Discordia Sempre Utrimque Cura Abest a Seleucia Parthorum. M. Propius. Copper engraving signed, framed and glazed. 9ins. x 18ins. Attributed to Thomas Major - View of the inside of the Arch, 9¼ins. x 14ins, View of the Arch from which extended a colonnade, 9¼ins. x 14ins, untitled engraving with figures before the ruins, 9ins. x 14ins, View of the Temple of the Sun taken from the west corner of the court, 9½ins. x 14½ins, engraving Palmira Urbs Nobilis Situ, Divitiis, Soli, 10ins. x 19ins. All framed and glazed. All with condition issues. (6)
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Francisco José De Goya Y Lucientes (1746-1828): Etching/aquatint No Saben el Camino, framed and glazed. 5¾ins. x 7½ins. Plus No Hay Quien los Socorra 5ins. x 7ins. (2)
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Walter William Burgess (1856-1908): Etching, Chelsea Old Church, framed and glazed. 6½ins. x 10½ins. Jan Selman print, signed and dated 89 Morning Rains. P. Renouard print, marriage scene, framed and glazed, dated 1912. 11ins. x 17ins. (3) Lionel Edwards (1874-1954): Coloured prints, deer hunting and rounding up horses, both signed, framed and glazed. 7ins. x 10¼ins. (2) English School: Oil on board, figures on a coastal path, framed. 11½ins. x 15½ins. Louis Haghe after David Roberts, coloured lithograph, ruined Mosques in the desert west of the Citadel, framed and glazed. 9½ins. x 12¼ins. Plus six prints of nudes, two framed and glazed. (13 in total)
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Overa Tremaine (1897 - 1965): Watercolour signed and dated 1927. A garden view. Framed and glazed. 9¼ins. x 13½ins. Together with a 20th century oil on board, floral display in a bowl, signed Moyes, framed. 19½ins. x 15½ins. (2)
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Sutton Palmer (1854-1933): Watercolour landscape with woods beyond, signed lower left, bears label to reverse Aldridge Bros. Art Dealers, Picture Restorers & Frame Makers. Subject Esher Surrey. Artist Sutton Palmer R.I. Medium, watercolour drawing. The Little Gallery, Warwick Street, Worthing. Framed and glazed. 13¾ins. x 20½ins. J. Whiteley watercolours a pair of landscapes, one with label to reverse Tavy Cleave Dartmoor, Original watercolour by R. Whiteley, signed, framed and glazed. 14¼ins. x 18ins. (3)
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John Dadley (1767-1817): Chinese subject prints with hand colouring published by W. Miller London 1799. After Pu-Qua Canton. Framed and glazed. 12ins. x 8¼ins. (2)
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Raul Dufy (After): Pastiche watercolour landscape with church, framed and glazed. 13ins. x 19ins.
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Henry Stannard R.B.A. (1854-1933): Watercolour, Pheasant Shooting, signed lower left, bears label to reverse J.R.A. Nottingham Art Inv. No. 6 Artist Henry Stannard. Title Pheasant Shooting, framed and glazed. 9½ins. x 13½ins. Anthony Van Dye Copley Fielding (1787-1855): Near Carnobie watercolour landscape, cattle and figure, signed, label to reverse J.R.A. Nottingham UK Art Inv. No. 14, framed and glazed. 7ins. x 10ins.
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Robin Armstrong 1947 watercolour and pencil eight views of lakes and a pencil sketch, signed in pencil Robin Armstrong, framed and glazed. 15½ins. x 19ins. Plus two Robin Armstrong prints, framed and glazed. (3)
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Robin Armstrong 1947 watercolour, Cod Fishing, signed in pencil Robin Armstrong 87, framed and glazed. 10ins. x 6¾ins.
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Robin Armstrong 1947 watercolour and pencil bears inscription From heron found frozen on River Meavy downstream of Iron Bridge. To my wife's cousin. Signed Robin Armstrong, framed and glazed. 21ins. x 14½ins.
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S.J. Lamorna Birch (1869-1955): Watercolour, The Clay Pits, signed bottom right, bears labels to reverse Watercolour Clay Pit by S.J. Lamorna Birch RA, RWS authenticated by his grandson Adam J. Kenn 30 Aug. 96 and a J.R.A. Nottingham UK Art Inv. No. 320, framed and glazed. 12½ins. x 16½ins.
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Peter Le Cave Attributed (1769-1816): Watercolour on paper, farmyard scene with animals, indistinctly signed bottom right hand corner, framed and glazed. 6¾ins. x 9?ins.
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John Cowrie Morrison 1948: Print (hand embellished giclee) "Boats in a Harbour", signed Jolomo No. 134/395. Framed & glazed 19¼ins. x 19¼ins. Plus a limited edition etched print by Michael Mann, La Residencia Deia Mallorca, signed & dated 1999 No. 6/70. Framed and glazed 8¾ins. x 13¼ins. (2)
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Benjamin Zobel (1762-1831) Attributed To: Sand on board paintings, sheep by a stable, figures by two donkeys and three pigs with trees behind them, framed and glazed, set of three. 12ins. x 15ins.
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Thomas Sydney Cooper R.A. (1803-1902): Watercolour sheep resting with figure in the field beyond, signed bottom middle, framed and glazed. 12ins. x 17¼ins.
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William V. Tippett British (1833-1910): Oil on canvas, sheep resting in a pasture with hills in the background, relined, in a gilt gesso frame. 30ins. x 20ins.
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•Aviation Art: Robert Taylor (1946- ). Exceptional oil on canvas titled Angels Three Zero by one of the foremost aviation artists of the 20th cent. The painting shows Group Captain Bobby Oxspring attacking a Luftwaffe ME109 at 30,000 feet. Signed and dated 1983. 28ins. x 19ins. NB This item is subject to Artist Resale Rights.
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•Sir Matthew Smith CBE (1879-1959): Drawings in pencil and charcoal, seated and reclining nudes, studies of reclining nude, female nude stooping, studies of seated nude and studies of a mermaid. All framed and glazed. All measuring 18¾ins. x 15¼ins. (5) NB This item may be subject to Artist Resale Rights.
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Peter Harris (1923-2009): Pastel/paper, two Malaysian women, signed monogram P.H and dated 68, framed and glazed. 13¾ins. x 9½ins.
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Photography: Stunning black and white photograph of Sculptor, innovator and British pioneer Henry Moore with his beloved wife Irina who is partially naked, the image appears to date from the 1930s. 5ins x 7ins.
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Early Fashion: Extremely rare copy of Issue No 1 dated March 1798 of The Magazine of the Actually Prevailing Female Fashions of London and Paris Containing Seven Coloured Figures, Fashion and costume, engraved plates with contemporary hand colouring with supporting fashion tips.
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Metalware: Late 19th cent. Cold painted bronze of a fox with original paint, possibly Bergman on an alabaster base formed as an ashtray. 5ins. Plus Daguerreotype photographs, a cased Daguerreotype of a young girl on a chair, label to reverse Florence C.C. Barlow, Mrs R.H. Murray, case 3½ins. x 3¼ins. Daguerreotype of a gentleman and his dog, case lid missing, case 3¾ins. x 3¼ins. Photograph of a lady in a small easel metal frame and a cased photograph of a boy in an oval case 4½ins. x 3½ins.
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Objects of Vertu: 18th cent. Possibly earlier, miniature on bloodstone depicting a Middle Eastern scene of a woman and child in a tented site, figures praying in the background, marching soldiers and figures on horses in the bottom right corner. In a treen moulded frame with sliding lid, one section of moulding missing. 2?ins. x 1?ins.
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19th cent. Crystoleum portrait of a child signed lower left Ludwig Knaus 1882, in gilt frame. 8ins. x 6ins. (A/F)
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The Mavis and John Wareham Collection: Art Glass: Jobling opalique tone birds (signed to base). 4ins. Koi carp 2ins. Plus two reclining animal pin dishes. (4)
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R.S.A. White metal, tests as silver presentation plaque in the shape of an artists palette, one side with a scroll and brushes and inscription To Miss Hilare Barlow MDCCCVII for a drawing of a landscape. The Honorary Palette of The Society for Promoting Arts Manufactures & Commerce. 2½ins. x 2?ins. Hilare Barlow was the daughter of Admiral Sir Robert Barlow and Elizabeth Garrett. Her second husband Reverend William Nelson 1st Earl Nelson of Trafalgar and of Merton was the brother of Admiral Horatio Nelson 1st Viscount Nelson, son of Reverend Edmund Nelson and Catherine Suckling, she died in December 1857. The reverse with a floral wreath and inscription.
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Continental School: 19th cent. Miniature on ivory, putto stood by a tree with inscription 'un scul m c sufi', in a gilt metal frame. 1½ins. x 1¼ins. Submission reference: N5ZDZWQS
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